To many fans, Collins’ name is synonymous with a two-fisted, four-color counterpart — which is celebrating the 30th anniversary of its celluloid incarnation this year. Although his resume includes such hard-boiled characters as Mike Danger and Ms. Tree, to comics aficionados, he’s best known for his run as writer of the “Dick Tracy’’ newspaper strip from 1977 to 1993. Collins would go on to pen the novel for the film version of Tracy, and that novel would end up being the driving force for the screenplay for the Oscar-nominated film starring Warren Beatty in 1990. (The incredible story of that can be found on Collins’ blog.) The job was the realization of a childhood dream.

“It sounds corny, but it really did all begin for me with `Dick Tracy,’ because I started reading that when I was a little kid — 7, 8 years old,” he says. “Most kids read `Dick Tracy’ and wanted to be Dick Tracy when they grew up. But I read it, and I saw this signature on the strips, Chester Gould, and I was just fascinated by it, by the idea of someone writing it. I thought there was very little chance I could grow up and be Dick Tracy, but I could be Chester Gould. And by God, I was for about 15 years.

“The whole fascination with crime fiction really does go back to my childhood. `Dick Tracy,’ `The Untouchables’ TV show … those were things that I loved. That was partly because my father would tell me about stories in the paper about John Dillinger when he was a kid. He would talk about how he and his family would go out and see crime scenes afterwards. So at a very early age, I got this picture that behind this noir genre, there were real events and real characters, and that very much appealed to me.”

Sharing his work with friends was also a spur to his development.

“Just to get that encouragement, to have my friends say, `Oh, you wrote this? This is really cool,’ was a big deal for me and helped me to keep going,” Collins says. “The other thing that was important was having encouraging teachers. I had several good teachers throughout growing up that nurtured and encouraged me, and I was fortunate to have them helping me along.

“Talent is a relatively small part of it. It’s really enthusiasm and having those flames fanned by people in that educational support system. A good teacher can have such an impact on a young mind.”

After graduating from the University of Iowa with a degree in creative writing, Collins taught at Muscatine Community College and spent almost three years sending out manuscripts in hope of landing his first book deal.

“I was very discouraged,” he says. “I remember I had a manuscript come back around ’72, and it was really discouraging, and I thought, `Maybe this isn’t for me; maybe I’m not going to make it.’ And then, sometimes God decides to act like O. Henry. I got on Christmas Eve 1972 the letter saying that my first book, `Bait Money,’ had been sold. And a year later it came out in time for Christmas the next year, and I’ve been going ever since.”

A Renaissance Man

In the ensuing four-plus decades, Collins has proven to be a Renaissance man of the genre. He’s tackled everything from comics to films to documentaries to novelizations of films and TV shows. He’s also been a regular on local music stages with his band Cruisin, which was inaugurated into the Iowa Rock And Roll Hall Of Fame two years back.

All told, he’s placed over 100 novels on bookshelves — many featuring his most famous character, Nate Heller. His locally produced independent films, including the cable hits “Mommy” and “Mommy’s Day,” were released as a DVD set called “The Black Box.” To top that off, he also has several other writing projects on his plate and is busy knocking out novels with his wife, Barbara, and his other co-writer Matthew Clemens.

Asked about the constant movement, Collins chats breezily about his diverse interests and passions. His gesticulations and the rising timbre of his voice spark the image of him as a junior-high kid, bursting to share his action-jammed tales with his friends. However, his work ethic also seems driven by the memory of his early career struggles. Talking about them, his demeanor slumps.

“Even today, I think one of the hardest things about this profession is how long publishers sit on books,” he says. “It’s so crushing to go to that mailbox and wait to see that manuscript sticking out with that rejection letter.”

Collins hasn’t gotten many of those lately.

The road to `Road to Perdition’

Undeniably, Collins’ most well-known achievement to the general public has been “Road To Perdition,” the graphic novel which led to an Oscar-winning film starring Tom Hanks, Paul Newman, Jude Law and various other heavy hitters.

“As I’ve gone down the suspense and mystery path, it has fascinated me to see how history feeds into the popular culture,” Collins says as he begins to talk about his most famous achievement. “The fact that there was a real Al Capone and an Eliot Ness and a John Looney, and that their traits ended up influencing these fictional characters like Dick Tracy or Vito Corleone, is very interesting to me.”

In 1998, Collins’ graphic novel “Road to Perdition,” based in part on Quad-Cities gangland history, smashed out of the gates to become a best seller. It almost immediately drew interest from Hollywood, and in 2002, it hit screens nationwide as a critically acclaimed — eventually Oscar-nominated — film starring Tom Hanks and Paul Newman.

The national notice also brought the Muscatine author a large dose of recognition on the local scene. One book-signing session at Borders in Davenport featured a line of fans snaking out the door and into the parking lot. “It was very rewarding,” Collins says, quietly.

“Perdition” generated a prequel, “Road to Perdition 2,” as well as two sequels, “Road to Purgatory” and “Road to Paradise,” the last of which was released in December 2005. (The three can be found as a trilogy for sale on Amazon Kindle now.)

Ironically, the origin of the story of hit man Michael Sullivan and his son, Michael Jr., lies in part in the bonding between Collins and his son, Nate, over their mutual love of the Japanese comics series “Lone Wolf and Cub.” The tale of a renegade samurai’s vengeance-stained travels with his infant boy provided the template for “Perdition.”

“I loved the image of this warrior with a baby carriage,” Collins says. “That combination of tender and tough has always fascinated me.”

Collins’ research for another novel, 1983’s “True Detective,” helped provide the characters and setting for the epic.

“I came across this guy, John Looney, who had been a gangster in the Quad-Cities in the ’30s. I couldn’t use him at the time, but I kept him on my shelf. So when it came time later that I wanted to pursue that idea of the `Godfather’-style executioner in the mode of `Lone Wolf and Cub,’ I remembered that character of Looney. I thought it would be really cool to center the story around this local gangster. So I merged the two ideas, and that’s how `Road to Perdition’ was born.”

Although at this point, the story has reached a satisfactory end, Collins hasn’t ruled out the possibility of revisiting the characters. “If you talk to most writers, they’re not inclined to sequels,” he says. “But I grew up reading serials, so I guess I always thought if I liked these characters and I think there’s something left to be said, I’ll want to write more about them.”

Following His Quarry, Continuing His Legacy

Speaking of series, Collins’ series Quarry, one of the first novel series to feature a hit man as its central character, was developed into a series by Cinemax that aired for one season in 2016, and continues to enjoy success as a literary endeavor. Collins has also continued his series of mystery novels with his wife, Barbara, his Nathan Heller series, the Reeder and Rogers suspense novel series he co-writes with Matthew Clemens, and more.

He’s also an active figure on the area writing festival scene, often giving classes and seminars for aspiring writers.